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Chris Riley's avatar

I would love your take on what I'm writing, particularly the theory that we can understand our human ability to make sense of the complex world, and to navigate novelty and find coherence, because of our storage of experiences / memory through recursive and hierarchical abstraction. To me, that novelty emerges because we are subconsciously abstracting up granularity (e.g. the Rachmaninoff concerto), pattern matching it to other abstractions (maybe some Keith Jarrett improv, if we go high enough up in abstraction), abstracting-down to create something granular again (a performance style), and then re-abstracting up the piece we're playing to those two sources to identify continued coherence. That then resonates either subconsciously or consciously with those familiar with both Rachmaninoff and Jarrett - it wakes up their memories when they hear it, and the novelty has value.

Here's the first chapter on abstractions but probably chapters 4 through 7 are needed for a full articulation of the theory: https://medium.com/@mchrisriley/part-2-abstractions-chapter-4-hofstadter-lakoff-and-language-708450de33be

Ljubomir Josifovski's avatar

Your 'catch' - "AlphaGo could simulate whether Move 37 would work. Go has fixed rules, a bounded board, and a verifiable winner" - is likely wrong. True Go has fixed rules. From that, it does not follow that "AlphaGo could simulate whether Move 37 would work". At most AlphaGo could compute some measure of probability. And that's about it.

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